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High School Summer Reading Program

The SSIS high school English department will once again be encouraging students to read over the summer with a summer reading program. The intent of the summer reading program is two-fold. First we wish to support students in the continued development of their reading skills; and second, the completion of these novels will, from the first day of school, provide students and teachers with an immediate basis for discussion and analysis of a common literary work.

The students will not be expected to write a formal essay or answer questions during the summer. This reading project is not meant to be labor intensive, rather the focus of summer reading is to allow the students to read and respond to the text in their own manner. Students will however be expected to complete a double-entry readers’ journal – the purpose of which is to guide the reader in understanding the novel. This will help students recall their personal impressions as they read and will form the basis of some of our discussions and work upon return to school.

The six essential questions shown below have been selected to guide students and focus reading. These questions are relevant to all novels and are therefore the same for all grade levels 9 – 12. The questions will be used as a starting point for both class discussion and written assignments at the beginning of the 2009-2010 school year. Students are not expected to write extended essays for these questions but should make relevant journal entries as they read.

The demands of Advanced Placement English Literature and Composition) require that students read 3 novels over the summer break. .

The following essential questions should be applied to all high school novels:

  1. How does the writer create mood, atmosphere, and character through language in the novel?
  2. How does the setting, both time and place, impact the audience and the understanding of the novel?
  3. What influences in your own cultural context might possibly explain your reactions to a novel?
  4. How are the values of a society or culture reflected in this literary work?
  5. How should an individual confront change and adversity?
  6. Is there evidence in the novel that the author’s gender has influenced his or her writing? How would the novel be different if the gender of the main character(s) was reversed?
Course Next Year
Title
English 9 The Hobbit by J.R.R. Tolkien
English 10 Lord of the Flies by William Golding
11th grade The Great Gatsby by F. Scott Fitzgerald
12th Grade All Grade 12 Students: All Quiet on the Western Front by Erich Maria Remarque
AP English 12 Students must also read two other books, one from before 1900 and one from after 1900. See the list below.


Pre-1900
Twentieth Century
Pride and Prejudice, Emma, or Northanger Abbey, Jane Austen
Nectar in a Sieve, Kamala Markandaya
A Shakespeare play—try The Tempest, Much Ado About Nothing, Macbeth, Henry V, Julius Caesar, King Lear, The Merchant of Venice, Othello,
Death of a Salesman, Arthur Miller ; Who’s Afraid of Virginia Woolf, Edward Albee ; Waiting for Godot, Samuel Beckett ; Rosencrantz and Guildenstern are Dead, Tom Stoppard ; A Raisin in the Sun, Lorraine Hansberry; Fences, August Wilson; Long Day’s Journey Into Night, Eugene O’Neill; Equus, Peter Shaffer; The Glass Menagerie, A Streetcar Named Desire, Tennessee Williams
Beowulf, (Seamus Heaney or Burton Raffel translation)
The Sun Also Rises, A Farewell to Arms, Ernest Hemingway
The Canterbury Tales, Geoffrey Chaucer
One Flew Over the Cuckoo’s Nest, Ken Kesey
Great Expectations or A Tale of Two Cities, Charles Dickens
Beloved or Song of Solomon or Sula Toni Morrison
The Importance of Being Earnest, Oscar Wilde; Cyrano de Bergerac, Edmund Rostand; Candide, Voltaire
Grapes of Wrath or East of Eden, John Steinbeck
Frankenstein, Mary Shelley
Grendel, John Gardner (goes with Beowulf)
Antigone or Oedipus Rex, Sophocles
Slaughterhouse Five, Kurt Vonnegut
Madame Bovary, Gustave Flaubert
Catch-22, Joseph Heller
The Adventures of Huckleberry Finn, Mark Twain
 My Antonia, Willa Cather
The Awakening, Kate Chopin
A Prayer for Owen Meany, John Irving
The Portait of a Lady or Washington Square, Henry James
Woman Warrior, Maxine Hong Kingston
Gulliver’s Travels, Jonathan Swift
The Handmaid’s Tale, Margaret Atwood
Tess of the D’Urbervilles or Jude the Obscure or the Mayor of Castorbridge, Thomas Hardy
Invisible Man, Ralph Ellison
Wuthering Heights, Emily Bronte
The God of Small Things, Arundathi Roy
Crime and Punishment or The Brothers Karamazov, Fyodor Dostoevsky
The Color Purple, Alice Walker
Medea, Euripedes
Native Son, Richard Wright
The House of Seven Gables, Hawthorne
The Bell Jar, Sylvia Plath
Billy Budd or Moby Dick, Herman Melville
Catcher in the Rye, J.D. Salinger
Middlemarch or The Mill on the Floss, George Eliot
The Stranger, Albert Camus
 
The Quiet American, Graham Greene
 
The Metamorphosis, Franz Kafka
 
The Handmaid’s Tale, Margaret Atwood
 
Fahrenheit 451, Ray Bradbury
 
A Passage to India, E.M. Forster
 
Cry the Beloved Country, Alan Paton
 
Wide Sargasso Sea, Jean Rhys
 
A Prayer for Owen Meany, John Irving
 
Sons and Lovers, D.H. Lawrence
 
One Hundred Years of Solitude, Chronicle of a Death Foretold, or Love in the Time of Cholera, Gabriel Garcia Marquez
 
In the Lake of the Woods, Tim O’Brien
 
Obasan, Joy Kogawa
 
The Kitchen God’s Wife, Amy Tan
 
Native Son, Richard Wright